Improved edit page timeline performance. Clip metadata for selected or all Media Pool clips can now be imported with selection rules or exported using. Expanded Keyframe and Curves feature set in the Edit timeline. Support for several new edit Transitions. Resolve Color Management now includes a checkbox and dropdown menu to separate gamut and gamma options. 
dctl for user-defined color transforms – DaVinci Resolve Studio only
Added support for DaVinci Color Transform Language. Interlaced media can now be de-interlaced with optional normal and for some clips a high setting – DaVinci Resolve Studio only. Dynamic Zoom for a fast start and end positioning of still image transforms. Clip Retime effects are now adjustable using a Retime Curve in context with the timeline clip. Audio can now be rendered in a single track or one track per channel. Added selection for 3:2 rendering of 23.976 and 24fps to 29.79fps and 30fps. Edit Sizing now includes Lens Distortion Correction – DaVinci Resolve Studio only. Power Windows and ResolveFX can now be tracked with a Point tracker. Ability to create User Transition Presets. You now have the ability to adjust via the inspector parameters for all selected clips or transitions. New Media Pool Power Bins allow sharing content between multiple user projects. Easy to use Tags are now supported in Display Name, Burn-ins, render filenames and render paths. Metadata keywords are now stored as text bubbles which are saved in a user dictionary and can easily be appended to multiple clips. Improved Titles with support in-place editing. Improved management of nodes and links in the Node editor. Redesigned and improved Log grading controls with a Project Setting option to switch between legacy and new behavior. Extended HDR grading controls, HDR scopes, HDR support for 16bit cache formats and HDMI 2.0a metadata – DaVinci Resolve Studio only. Dramatically improved Spatial Noise Reduction – DaVinci Resolve Studio only. Resolve FX – Film Grain, Lens Flares, Lens Blur, Light Rays and others. Primary color palettes now include Temperature and Tint sliders. 
The Source viewer now includes an optional Audio Overlay on Video. When returned from Fusion they automatically replace the originating edit timeline clips. Fusion Connect lets users send a clip(s) from the edit timeline to Fusion for compositing. 
Improved edit timeline and color page UI performance. Thanks to Ogy Stoilov over at 4K Shooters for compiling this. And here’s a comprehensive list of those new features.
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